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The Making of OutKast’s Aquemini
GOD BLESS THE CHILD THAT’S GOT HIS OWN: Andre and Big Boi came into their own on ‘’Aquemini’‘. Courtesy of LAFACE RECORDS
With additional reporting by Jacinta Howard and Phillip Mlynar
Man, first they were some pimps.
Then they were some aliens or some genies - some shit. Then they be talkin’ ‘bout that black righteous space.
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Man, fuck them. I ain’t fuckin’ with them no mo’.
- “Return of the G’ skit, Aquemini
By the time Aquemini was due to drop in the fall of 1998, no one knew what to expect from the-soon-to-be-iconic OutKast.
They’d gone from red clay players to extraterrestrials - down-to-earth to out-of-this-world - in the span of two albums. But if the contextual leap from their Southernplayalisticadillacmuzik debut to ATLiens was fueled by an Afrofuturistic flight of fancy (and, lest we forget, their feelings of alienation from hip-hop’s East Coast vanguard), then Aquemini was OutKast’s return mission home.